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Keep pursuing reviews beyond the big-time reviewers!
About 8 months after my book came out, I sent my book to VOYA Magazine, a niche publication that librarians consult for their young adult collections. They did a nice review, and within a month, I received a request from the Follett Corporation (http://www.follett.com/about.cfm), saying they'd received requests for the book and wanted to distribute it to school libraries. I looked up Follett in my book marketing books to find that they were indeed a respected (founded in 1873!), large distributor who actively market their books to libraries. They're starting to order my books and so far appear very professional. I give them a 55% discount off retail, but they provide free shipping through their Fed Ex account.
I've wanted to get my book into libraries, but I'm sure it would have been a long, arduous task for me to pull off personally. Since libraries are used to working with Follett and respect them, this should be a wonderful opportunity!
So, if you think your book might be valuable for school libraries or the youth collections of other libraries, consider sending a copy to VOYA magazine. Here's some of their information:
VOYA Magazine, Voice of Youth Advocates, "The Library Magazine Serving Those Who Serve Young Adults" "VOYA is the only magazine that matters for librarians working with young adults. . . . Simply the best there is."—Patrick Jones, public librarian and author of Connecting Young Adults and Libraries, 2nd Ed. (Neal-Schuman, 1998). Founded in 1978. http://www.voya.com/aboutus/index.shtml#history
J. Steve Miller
Author of Enjoy Your Money! How to Make It, Save It, Invest It and Give It
"The money book for people who hate money books"
http://wisdomcreekpress.com/press_kits.html
Friday, January 15, 2010
Wednesday, January 6, 2010
Book Marketing: Think and Think Different
IBM's motto is "Think." Apple Computer's motto is "Think Different." Authors would do well to adopt both mottoes in their marketing strategies.
So far over the past year, I've read about 15 books on book marketing. I've found the lack of redundancy striking. Each book shares fresh ideas, new experiences and recommends new tools and resources just begging to be explored. As a result, I have a much better handle on how to sell my books - what's most likely to work and what will most likely be a waste of time.
But beyond learning from the pros, I find the need to do my own thinking. After all, no book is exactly like my book. Isn't it likely that the marketing of my book should be just as unique?
Yesterday a chance encounter showed me the need to keep thinking and learning. I walked into the gym to see Henry walking toward me. Now Henry's hard to not notice - he's built like a tank, with arms the size of my legs. He tells me excitedly that he's been selling my personal finance books (Enjoy Your Money!) at his video game store.
(Why did I put it on consignment in a video game store? Well, the owner of our local SOHO HERO, a home office printing and mailing shop, told me that a local author sells children's books at her store because parents come in with their kids, who start reading the books while their parents make their copies, and then they want their parents to buy the book. I thought, "Since parents are more likely to buy my book, I need to find a store where the kids are doing stuff and the parents have the time on their hands to pick up a book and check it out. Thus, a video game store.)
I responded, "Wow! I was ready to collect all my books from local stores. I'd concluded that, although Amazon sales were great, that people simply wouldn't buy my book from stores." Henry said, "Here's how it works. People are waiting in line and pick up the book. I tell them that I respect the author and like what I see in the way he's training his kids. Then they want to buy it. Here's the secret to your store sales: the person at the cash register has to believe in the book and be willing to sell it."
So my conclusion about sales in local stores was apparently all wrong. They could sell. But I'd missed one little component that was sabotaging my sales: make sure that I sell the owner on the book and give them enough information to be able to encourage people to buy it. If someone asks the store owner about the book and the response is, "I don't really know anything about it. It's just a book by some local author" then why would anyone buy it?
It's just one little trick. But perhaps there are 50 subtle tricks to getting my books sold in local, non-bookstore outlets. Odds are, reading all the marketing books in the world wouldn't tell me all the tricks that would work for my book. That's why we need to keep trying new things, keep listening, keep thinking, and keep thinking different.
So far over the past year, I've read about 15 books on book marketing. I've found the lack of redundancy striking. Each book shares fresh ideas, new experiences and recommends new tools and resources just begging to be explored. As a result, I have a much better handle on how to sell my books - what's most likely to work and what will most likely be a waste of time.
But beyond learning from the pros, I find the need to do my own thinking. After all, no book is exactly like my book. Isn't it likely that the marketing of my book should be just as unique?
Yesterday a chance encounter showed me the need to keep thinking and learning. I walked into the gym to see Henry walking toward me. Now Henry's hard to not notice - he's built like a tank, with arms the size of my legs. He tells me excitedly that he's been selling my personal finance books (Enjoy Your Money!) at his video game store.
(Why did I put it on consignment in a video game store? Well, the owner of our local SOHO HERO, a home office printing and mailing shop, told me that a local author sells children's books at her store because parents come in with their kids, who start reading the books while their parents make their copies, and then they want their parents to buy the book. I thought, "Since parents are more likely to buy my book, I need to find a store where the kids are doing stuff and the parents have the time on their hands to pick up a book and check it out. Thus, a video game store.)
I responded, "Wow! I was ready to collect all my books from local stores. I'd concluded that, although Amazon sales were great, that people simply wouldn't buy my book from stores." Henry said, "Here's how it works. People are waiting in line and pick up the book. I tell them that I respect the author and like what I see in the way he's training his kids. Then they want to buy it. Here's the secret to your store sales: the person at the cash register has to believe in the book and be willing to sell it."
So my conclusion about sales in local stores was apparently all wrong. They could sell. But I'd missed one little component that was sabotaging my sales: make sure that I sell the owner on the book and give them enough information to be able to encourage people to buy it. If someone asks the store owner about the book and the response is, "I don't really know anything about it. It's just a book by some local author" then why would anyone buy it?
It's just one little trick. But perhaps there are 50 subtle tricks to getting my books sold in local, non-bookstore outlets. Odds are, reading all the marketing books in the world wouldn't tell me all the tricks that would work for my book. That's why we need to keep trying new things, keep listening, keep thinking, and keep thinking different.
Tuesday, January 5, 2010
When Marketing Meets Magic
I'm sure some low-profile authors, by some inexplicable stroke of fortune, publish their books, get a phone call from Oprah within the first month, become instant media darlings, and watch their books quickly climb to best-seller status. It's like magic, but a magic that graces far less than one in a million authors.
The more typical magic comes as a complete surprise in the midst of an author doing the daily, mundane tasks to get her book noticed. Sadly, the great majority of authors will never experience the tap of the fairy's wand, not because their books suck, but because they failed to create the context frequented by fairies. Fairies quickly lose interest in authors who hope that their mother and brother will start an unstoppable word-of-mouth campaign. Soon, they flutter off to visit a more worthy author - the one passionately speaking at an obscure school to a bunch of half-interested students, wondering how in the world her life came to this. But then, quite unexpectedly, the fairy arrives with her wand. A teacher recommends the presentation on a popular teachers' forum, and you arrive home to find school after school begging you to speak at their schools and sell your books.
In broad strokes, that's how young author Christopher Paolini was touched by the magic. He tried doing the book signing thing in bookstores, but soon discovered that it didn't work very well for unknown, first-time authors. So he tried doing school presentations. He called school librarians in Houston and several of them allowed him to speak. Then the first fairy appeared, in the form of a librarian who posted an enthusiastic recommendation on a teachers' forum. That one recommendation allowed him to book a solid month of school talks in Houston.
He ended up doing over 135 presentations. In the summer of 2002, the second fairy appeared, in the form of novelist Carl Hiaasen, who was vacationing in a city where Paolini was speaking. Hiaasen's stepson showed the book to his stepdad, who recommended it to his publishing house. They signed Paolini and his book placed on the New York Times Best Seller list for 121 weeks.
You might wonder, "How lucky was it that one of those librarians frequented such a forum?" Or, "What are the odds that a novelist with connections just happened to find Paolini's book?"
Well, I'd argue that, although the odds of either of those specific events happening may be quite remote, the odds of something happening, given his 135 presentations, was almost certain.
At first, I didn't understand the magic. I thought that if one of my marketing efforts didn't produce immediate sales, it was just one more failure. But just getting out there and trying stirs things up. Fairies notice. Eventually, wands come out tapping and truly extraordinary stuff happens.
During my first few months of book marketing, I felt much like the pastor who went to watch the train go by every day. When someone inquired about his unusual habit, he said, "I just love to see something that moves without my having to push it." For the first few months, my book sold only when I was out there doing something. If I let up for a day, nothing happened. And 90% of what I tried seemed to have no impact at all.
But somehow, all that cumulative publicity made things start to happen. Some may call it word of mouth. Others may call it reaching a tipping point. Some may say I was touched by an angel. Whatever you call it, it certainly appears to be magic.
The more typical magic comes as a complete surprise in the midst of an author doing the daily, mundane tasks to get her book noticed. Sadly, the great majority of authors will never experience the tap of the fairy's wand, not because their books suck, but because they failed to create the context frequented by fairies. Fairies quickly lose interest in authors who hope that their mother and brother will start an unstoppable word-of-mouth campaign. Soon, they flutter off to visit a more worthy author - the one passionately speaking at an obscure school to a bunch of half-interested students, wondering how in the world her life came to this. But then, quite unexpectedly, the fairy arrives with her wand. A teacher recommends the presentation on a popular teachers' forum, and you arrive home to find school after school begging you to speak at their schools and sell your books.
In broad strokes, that's how young author Christopher Paolini was touched by the magic. He tried doing the book signing thing in bookstores, but soon discovered that it didn't work very well for unknown, first-time authors. So he tried doing school presentations. He called school librarians in Houston and several of them allowed him to speak. Then the first fairy appeared, in the form of a librarian who posted an enthusiastic recommendation on a teachers' forum. That one recommendation allowed him to book a solid month of school talks in Houston.
He ended up doing over 135 presentations. In the summer of 2002, the second fairy appeared, in the form of novelist Carl Hiaasen, who was vacationing in a city where Paolini was speaking. Hiaasen's stepson showed the book to his stepdad, who recommended it to his publishing house. They signed Paolini and his book placed on the New York Times Best Seller list for 121 weeks.
You might wonder, "How lucky was it that one of those librarians frequented such a forum?" Or, "What are the odds that a novelist with connections just happened to find Paolini's book?"
Well, I'd argue that, although the odds of either of those specific events happening may be quite remote, the odds of something happening, given his 135 presentations, was almost certain.
At first, I didn't understand the magic. I thought that if one of my marketing efforts didn't produce immediate sales, it was just one more failure. But just getting out there and trying stirs things up. Fairies notice. Eventually, wands come out tapping and truly extraordinary stuff happens.
During my first few months of book marketing, I felt much like the pastor who went to watch the train go by every day. When someone inquired about his unusual habit, he said, "I just love to see something that moves without my having to push it." For the first few months, my book sold only when I was out there doing something. If I let up for a day, nothing happened. And 90% of what I tried seemed to have no impact at all.
But somehow, all that cumulative publicity made things start to happen. Some may call it word of mouth. Others may call it reaching a tipping point. Some may say I was touched by an angel. Whatever you call it, it certainly appears to be magic.
- A book reviewer to school libraries wrote a positive review.
- A respected distributor to school libraries started getting orders and requested a contract.
- Twice as many sold on Amazon last month, without any promotion on my part.
- Today, someone at the gym told me how he was successfully selling my book at his video store. Someone else found my website and said he's moving a branch of his organization to Atlanta and was interested in partnering. Yet another e-mailed to say he'd love to read my book, review it in his blog, and write an article for a popular youth-leaders publication.
Monday, January 4, 2010
Cheap, Quality Mailers
Leaders of early Wal-Mart said that they made money by saving money. Publishers would do well to follow suit. I find myself mailing hundreds of books to media and potential reviewers, so that buying bubble mailers from office supply stores or even Wal-Mart for $1 or more adds up.
I've been saving 71 cents per bubble mailer, including shipping, by ordering from http://valuemailers.com , when ordering 100 mailers. That's a savings of $71 on 100 mailers!
Always, always shop around and find the best rates on printing, mailing, and the other basics of the trade.
I've been saving 71 cents per bubble mailer, including shipping, by ordering from http://valuemailers.com , when ordering 100 mailers. That's a savings of $71 on 100 mailers!
Always, always shop around and find the best rates on printing, mailing, and the other basics of the trade.
Sunday, December 6, 2009
Annotated List of Books on Book Publication and Marketing
This is a great, annotated list. http://wexfordpress.com/tex/shortlist.pdf
From the 15 or so books I've read on publishing/marketing, I've found that each new book I read gives me many valuable insights. It's not like you read one book and then the next is simply saying the same thing in different words. There's a lot to learn, and I'm glad for all the reading I've done on publishing and marketing.
From the 15 or so books I've read on publishing/marketing, I've found that each new book I read gives me many valuable insights. It's not like you read one book and then the next is simply saying the same thing in different words. There's a lot to learn, and I'm glad for all the reading I've done on publishing and marketing.
Friday, November 20, 2009
Book Marketing: The Priority of Getting Reviews - Part I
The Need to Prioritize
I've read about 15 books on marketing, particularly on marketing books. I've found thousands of ways to market them, some of which will work better for some books than others. One thing I'm trying to narrow down - out of the thousands of things I could be doing to market my book, where should I put most of my time and effort? My time is limited. What's my best bet for actually selling my books? What keeps ringing through, book after book, as a no-brainer for book marketing? Is it:
Why Prioritize Getting Reviews?
But I'm thinking that, especially for nonfiction, getting reviews stands out as one of, if not THE most effective avenue to get the word out and actually sell books. I believe that all of the book marketing literature I read recommends this approach heavily. Here are some quotes:
"There is no question about whether reviews work. We had more than 500 full-price orders for one of our books when a review by a syndicated columnist broke." "Getting a buzz started...is the result you desire. Do it by soliciting advance blurbs, getting reviews everywhere, tenaciously pursuing feature stories off the book pages, giving aways tons of free review and reading copies. A complimentary book is your cheapest and most effective advertising." (Marilyn & Tom Ross, Jump Start Your Book Sales)
"Send out review copies. Send out lots of them. Send out more than you think you should. Hit every major newspaper and magazine which you think might be at all interested in the subject of your book. In most cases this means sending out somewhere between 300 and 500 review copies. Don't be stingy about sending out review copies. For every hundred copies you send out, you'll get perhaps ten reviews. And those ten reviews will bring you anywhere from twenty to one hundred direct sales and many more indirect sales. Even at a conservative estimate, you'll receive 200 orders for every 100 copies you send out. That's cheap advertising." (John Kremer, 1001 Ways to Market Your Books, p. 138)
Why Do Reviews Work so Well?
1) Solomon advised, "Let another praise you, and not your own mouth." When I tell others about my book on Facebook or Twitter, that's me tooting my own horn. I'm suspect. Of course I think my book's great. Of course I want people to buy it. It's more persuasive when others talk about my book, than when I talk about my book. People perceive the recommendation of others, particularly experts, as more objective and more believable.
2) These experts have followings. Rather than trying to gather a following (e.g., creating a popular blog), go where the people are already gathered. It's generally more effective and easier to get the top thought leaders talking about your book, than trying to become the recognized thought leader in your field and trying to sell your books through that platform.
3) For each field, there are tons of outlets for review. In general, think beyond book review sites. Think of people who write regularly on your topic. In the field of personal finance, for example, there are hundreds of newsletters, hundreds of magazines, hundreds of related blogs and sites, hundreds of related organizations. When you think more broadly, it's not just the publications that target personal finance; Ladies Home Journal runs articles on personal finance. Home school publications recommend books on personal finance. These leads could keep me promoting for years.
I'll follow up this post with posts on finding reviewers and how to approach them.
Comments?
I've read about 15 books on marketing, particularly on marketing books. I've found thousands of ways to market them, some of which will work better for some books than others. One thing I'm trying to narrow down - out of the thousands of things I could be doing to market my book, where should I put most of my time and effort? My time is limited. What's my best bet for actually selling my books? What keeps ringing through, book after book, as a no-brainer for book marketing? Is it:
- TV?
- Radio?
- Develop a popular blog?
- Collect a killer e-mail list?
- Do book signings?
- Interact in social networking settings such as Twitter, Facebook and LinkIn?
- Send out regular press releases?
Why Prioritize Getting Reviews?
But I'm thinking that, especially for nonfiction, getting reviews stands out as one of, if not THE most effective avenue to get the word out and actually sell books. I believe that all of the book marketing literature I read recommends this approach heavily. Here are some quotes:
"There is no question about whether reviews work. We had more than 500 full-price orders for one of our books when a review by a syndicated columnist broke." "Getting a buzz started...is the result you desire. Do it by soliciting advance blurbs, getting reviews everywhere, tenaciously pursuing feature stories off the book pages, giving aways tons of free review and reading copies. A complimentary book is your cheapest and most effective advertising." (Marilyn & Tom Ross, Jump Start Your Book Sales)
"Send out review copies. Send out lots of them. Send out more than you think you should. Hit every major newspaper and magazine which you think might be at all interested in the subject of your book. In most cases this means sending out somewhere between 300 and 500 review copies. Don't be stingy about sending out review copies. For every hundred copies you send out, you'll get perhaps ten reviews. And those ten reviews will bring you anywhere from twenty to one hundred direct sales and many more indirect sales. Even at a conservative estimate, you'll receive 200 orders for every 100 copies you send out. That's cheap advertising." (John Kremer, 1001 Ways to Market Your Books, p. 138)
Why Do Reviews Work so Well?
1) Solomon advised, "Let another praise you, and not your own mouth." When I tell others about my book on Facebook or Twitter, that's me tooting my own horn. I'm suspect. Of course I think my book's great. Of course I want people to buy it. It's more persuasive when others talk about my book, than when I talk about my book. People perceive the recommendation of others, particularly experts, as more objective and more believable.
2) These experts have followings. Rather than trying to gather a following (e.g., creating a popular blog), go where the people are already gathered. It's generally more effective and easier to get the top thought leaders talking about your book, than trying to become the recognized thought leader in your field and trying to sell your books through that platform.
3) For each field, there are tons of outlets for review. In general, think beyond book review sites. Think of people who write regularly on your topic. In the field of personal finance, for example, there are hundreds of newsletters, hundreds of magazines, hundreds of related blogs and sites, hundreds of related organizations. When you think more broadly, it's not just the publications that target personal finance; Ladies Home Journal runs articles on personal finance. Home school publications recommend books on personal finance. These leads could keep me promoting for years.
I'll follow up this post with posts on finding reviewers and how to approach them.
Comments?
Monday, November 9, 2009
Writer Insights from Anita Renfroe
Anita Renfroe is a humorist who's been described as "Erma Bombeck meets Carol Burnett, with a bit of Weird Al Yankovic thrown in." As the key note speaker at last week's Georgia Writers Association conference, she kept us laughing as she passed on insights gained from writing seven books. Here are my takeaways (sometimes expounding upon her suggestions):
- The last five years have turned the publishing industry on its head. The playing field has been leveled. Now it's more "Wild West" out there. More and more, readers and viewers are "voting" their favorite videos and books to greater exposure. Regular people can suddenly catapult to the top. Find ways to take advantage of these tools.
One day, Anita's children encouraged her to put a video of her "William Tell Mom" presentation on YouTube. People loved it, forwarding it to friends, so that soon, 1.5 million people had viewed it. Then, Good Morning America came knocking, catapulting her to 200 speaking engagements per year. - Prior to this, she was primarily in a coccoon, taking care of her family and serving her husband in ministry. Don't worry if you're still in that coccoon stage. It's those real life experiences that give you the writing material for the rest of your life. Relish the stage your in.
- It took time to realize that she had a talent for humor. She wanted to be a musician, but people kept telling her she was funny. Listen to other people's comments. Sometimes they can see your talents better than you can recognise your own.
- You don't have to be in love with the writing process. She enjoys "having written," not the writing. While writing for a deadline, she can get excited about doing anything that has nothing to do with her current project. Use "the power of avoidance" to write other stuff for the future.
- The more you write, the better you get. Her first publisher told her that most artists have to write 1000 bad songs before they write a good one. Keep writing and get those "bad songs" out of your system.
- Work on your people skills. In the publishing industry, it's all about relationships. Nobody wants to work with a freak. If you put your manuscript into an editor's hand, but you don't come across like a nice person who'd be enjoyable to work with, your manuscript may never get read. Publishers don't want to work with writers who won't work with them on improvements, deliver manuscripts late, won't listen to their suggestions, whine every time they have to rewrite something.
So, if you go down in your basement to write and pop your head out once a year to relate to other humans, you'll probably find difficulty getting your stuff published.
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